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Getting into new French fiction: ‘The elegance of the hedgehog’ by Muriel Barbéry

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A French bestseller that achieved critical acclaim, ‘The Elegance of the Hedgehog’ (L’élegance du hérisson) was published in English in 2008. High time I found out what all the fuss was about…

French novels have never gone down that well with Anglophones. Sad, but true. After all, it’s one of the reasons I started this column. Cerebral, uninteresting plot, and introspective are just some of the features of French fiction which we Anglophone bookworms find less appealing than our Gallic counterparts, apparently.¹

If that’s the case, then I conformed to this stereotype when reading ‘The Elegance of the Hedgehog’,² I hit a rough patch. Like a rocky relationship that was going nowhere, we had to go on a bit of a break, Hedgehog and I. For me, the book has a cynicism that can become wearying. Then I made it to the end. All was forgiven.

France’s ‘charade of social hierarchy’

KateWilkins130513www.MyFrenchLife.org

Renée Michel, the novel’s principal narrator, is a middle-aged concierge for a luxury Paris apartment block. In her own words, she is “short, ugly and plump”. With no formal education and hailing from a poor family, Renée “correspond[s] to what social prejudice has construed to be a typical French concierge”. Her TV set blares out banal programmes. She cooks smelly, ‘plebian’ food. Meanwhile, she’s secretly reading Tolstoy. Watching art films. Listening to Mahler. Studying philosophy. She’s contemplating Marx and Feuerbach by page two.

Our second narrator is pre-teen Paloma, über-intelligent and feeling estranged from her bourgeois family. To her, their lives seem meaningless, shallow. She feels she is doomed to “end up in the goldfish bowl” herself. So, naturally, she’ll commit suicide on her thirteenth birthday. Until then, Paloma climbs an intellectual Everest, making notebook entries called ‘Profound Thoughts’ and writing a ‘Journal of the Movement of the World’.

Then the impeccably mannered Kakuro Ozu, a retired Japanese businessman, moves into an apartment. The only character who sees things clearly – unblinkered, perhaps, by French societal assumptions. The catalyst that leads Renée and Paloma’s lives to change shape.

A very French read?

Kate Wilkins - 17/06/2013 - www.MyFrenchLife.org

The novel employs an occasional essayistic style. The characters discourse on ideas and thinkers that influence their world view. It’s a French trait – philosophy is a compulsory part of France’s education system. You’ll either enjoy the book’s casual cogitation, or you’ll find it pretentious. “More tract than novel”, as one review said.³

French readers and critics were struck by the book’s themes of class and class-based discrimination. As translator Alison Anderson comments, the way that Renée manages to overcome her background and be very educated… is important to French people”?. Yes. Social mobility is a polemical issue in my country, too. But I couldn’t quite buy into the idea that the apartments’ residents would be outraged if they knew the truth about Renée. Would they even care?

I wanted to bash Renée over the head sometimes to jolt her out of her grating self-depreciation. Plus, the prejudice comes from both sides: Renée is as contemptuous of the residents as they are of her. Just as I was tiring of Renée and Paloma’s almost embittered outlook, they finally met. We come to understand, in passages that are very moving, why Renée lives and acts the way she does.

The verdict on this French bestseller

Philosophising and class struggle aside, the book is light-hearted in tone with humorous observations. Accounts of Parisian pets and Paloma’s mother hitting the sales were highlights.

Verdict: worth risking the prickles.

Have you read ‘The Elegance of the Hedgehog’? What did you think?

References:
1. ‘Too spiky for British readers?’, Alison Flood, The Guardian, 11/09/2008
2. The Elegance of the Hedgehog, translated by Alison Anderson. Gallic Books 2008
3. Koelb, Tadzio ‘The Elegance of the Hedgehog’, The Times Literary Supplement 12/09/2008
4. Quote from article cited in ref.1
Image credits:
1.Muriel Barbéry, via Wikipedia
2.The Palais du Luxembourg, courtesy of Hannah Scott 
3. Library of Dublin


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  1. Profile photo of Hélène Duchamp
    Hélène Duchamp
    4 years ago

    Kate, what a wonderful article! I absolutely love this book. It has everything that I like – from the quirky references to Japanese culture to the tribulations of a teenager… I’ll read it again next time I’m home 😉


    • Profile photo of Kate Wilkins
      Kate Wilkins
      4 years ago

      Hello! So glad you enjoyed it and thanks for your feedback. I really loved the references to Japanese culture as well. There does seem to be a real affinity between French and Japanese culture.


  2. Profile photo of Elisabeth Donato
    Elisabeth Donato
    4 years ago

    Excellent book, and a very decent movie adaptation as well. I have also read “Une Gourmandise” by Muriel Barbery, and enjoyed that work as well.


    • Profile photo of Kate Wilkins
      Kate Wilkins
      4 years ago

      Hi Elisabeth, I still haven’t seen the film!! I need to rectify this. I hear Josiane Balasko is very good in it. And I need to read Une Gourmandise too…


  3. Profile photo of Sahara Wilson
    Sahara Wilson
    3 years ago

    Just finished reading this en francais, and how wonderful it is!


  4. Profile photo of Mary Hoekzema
    Mary Hoekzema
    3 years ago

    I read this book in English, bought it in French and have not yet been brave enough to tackle the philosophical reflections untranslated. I loved the book, but as with Le Petit Prince, it was hard to accept Renée’s death. Perhaps she will be resurrected by someone as TV4 has done with LPP. Look for the vidéos of the new adventures of the little prince on YouTube. Ça vaudra la peine!

    I just finished Les Écureuils de Central Park sont tristes le lundi de Katherine Pancol. Have you read that, ir the two earlier ones in the trilogy?


    • Profile photo of Kate Wilkins
      Kate Wilkins
      3 years ago

      ** SPOILER ALERT** Hi Sahara – yay, glad you were moved by it too! Mary, many thanks for your comments and for the tip-off on The Petit Prince. I have relatively little philosophical training so found myself reaching for the dictionary once or twice when Renée starts waxing lyrical! I admit I was a bit traumatised by the ending (#fictionaldeathsIwillnevergetover) but there was…dare I say it…a sad poetry in it. It was Paloma, after all, who was intending to die but she is spared.

      Thanks very much for reminding me to get onto Katherine Pancol – I heard about the trilogy, and yes I want to read it!