Pocket-sized Guide to French popular music: l’amour toujours ?


A French street band in Vieux Lyon.

The French aren’t just known for baguettes and wine. It appears that their music is also getting some attention. What makes francophile listeners go Oh là là ? The words? The music? The images they evoke? 


Ask any francophile to describe French popular music and they’ll mention accordions, sultry raspy voices, gypsy-like sounds, and longing melodies. All invoke romance and fantasy with dreamy, nostalgic images, inducing a world of make-believe, a distant memory or imagined love affair.

At the heart of the stereotype of French music that is embedded in most non-francophones subconscious lies romance and more romance. These images consist of authentic ’La Vie en Rose’ settings with lovers kissing in the rain by the Eiffel Tower, couples hugging on the ancient steps of Notre-Dame  or getting engaged on the Bateaux-Mouches. In other words l’Amour !

Others will be a little more specific and mention the famous (or infamous) French Can-can (straight from Parisian traditional old-fashioned dance-halls) with its renowned feel of playful sexiness, beauty and seduction.

No vision of Paris, the ultimate ‘City of Light’, is complete without the balmusette accordion player in the background.

Is popular French music the language of love?

French popular music seems to be perceived as the ultimate lover’s language.

It always conveys a vision, a feeling or passion: It’s always heartfelt and emotionally probing. Romantic, sensual, impressionistic, call it whatever you would like, it will take you some place, bypassing the rational-self and leaping at the heart.


French musical stereotypes


Why do non-francophone music lovers enjoy listening to French staple singers such as Edith Piaf, Sacha Distel, and Charles Aznavour?

These authentic French artists really exposed their soul and poured their hearts out with the most sincere, poetic, descriptive and meaningful lyrics.

Strange indeed considering non-francophones aren’t probably able to understand a single lyric.

Nevertheless, such a tiny detail doesn’t seem to matter.

There is something about the tunes, the sound of the language perhaps, which seemed to turn the listener into a passive receptacle of suggested romance.

French Music as a universal language

I guess it could be that listening to music in foreign languages gives you a break from your own culture. Music as a universal language speaks to the soul and can’t be restricted by language or culture.

Born and raised in France, oddly enough, I never used to listen to French music while growing up, only to English and American songs, since these were the cool thing to listen to at the time.


After having lived in English-speaking environments for more than 22 years, I have really started to appreciate the French sounds of Jacques Brel, Liane Folie and Lara. I also enjoy listening to the Italian-French songwriter Carla Bruni-Sarkozy, former Supermodel who is now French royalty, being France’s first lady.

Are words purely simple ornaments in French music?

” ‘True’, sincere music knows no boundaries. Lara Fabian, a Belgian-born singer who has attained international popularity once said “I don’t believe that a language will limit an emotion, so there is not a specific language to say something that comes from the heart. You can say something from the heart in Japanese, Indian, Italian, English; it doesn’t matter, as long as it is sincere. I truly believe specific feelings; true feelings have no limitations or no barriers when it comes to honesty.”1

Therefore, if music is such a universal language where words become simple ornaments, French music might just constitute a more expressive, more emotionally-lifting vehicle.

Where there is French music, feelings seem to flow… and who doesn’t want to sample l’Amour toujours ?

This is the first article in a series where we explore & enjoy French music.

Pocketbook Guides to French music:
1. French popular music (this one)
2.Pocketbook Guide to French Romantic Composers

For those who would like to truly immerse themselves in French music we can invite you to enjoy this extraordinary resource from our archives – 20+ articles with c.100 musical features – a substantial series named:
French Music Monday

¹Why Do We Love to Listen to Songs in Foreign languages?
Image credits:
1) Sarah Taylor
2) Jalapeño on Flickr
3) Grimaldi Forum Monaco
4) besserina blogspot 
5) Mr Dagnino on Flickr


Note: This post was originally published in 2012 and has been updated and republished in May 2021.

About the Contributor

Nathalie Richard-Sewell

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  1. Elisabeth Donato Apr 27, 2012 at 12:04 PM - Reply

    “Born and raised in France, oddly enough, I never used to listen to French music while growing up, only to English and American songs, since these were the cool thing to listen to at the time.”

    Ditto for me. Born in 1952, I was steeped in British and American rock in the sixties and seventies. I now listen to quite a bit of French music. My favorite singer/songwriter is Benabar, and I am a great fan of the band Les Ogres de Barback. But I also like the “classics” (Brel, Piaf, Becaud, Barbara, etc.). A Cabrel song came on on my iPod shuffle yesterday, and it reminded me of how much I like him and his music.

    I had a paper published on early French rock in a scholarly journal called “Contemporary French Civilization” last fall. I had fun writing it.

  2. Judy MacMahon Apr 27, 2012 at 4:47 PM - Reply

    Really Elizabeth, what about a little article on French rock? or collaborate with Nathalie in her French music column ???? over to you two 😉 Judy

  3. Susan Ross Donohue May 9, 2012 at 10:30 AM - Reply

    I’m a huge Aznavour fan (you’re right – I often don’t understand the lyrics). He performed in Montreal last month and still had the audience cheering for more. He’s amazing. I loved every second of the two hour concert (no intermission – quite amazing seeing as Aznavour is 88 years young)!

  4. amapati Jun 3, 2012 at 9:27 AM - Reply

    I llove french music, I dont speak french,but I like it very much , specially Georges Moustaki, Edith Piaff,Charles Aznavour,Marie Laforet, Gerard Lenorman

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